YOU SAID:

the elevator vibrated with motion as my lower mouth tongue jowels quivered outside of the imaginable spacetime continuum with unrivaled satisfaction i was transported into an unreal dimension where abstractness was reality and i was confronted by garfield

INTO JAPANESE

エレベーターは動きで振動し、私の下口の舌のジョウエルは想像できる時空連続体の外で震え、比類のない満足感で私は抽象性が現実である非現実的な次元に運ばれ、ガーフィールドに直面しました

BACK INTO ENGLISH

The elevator vibrated with movement, the Jowell of my lower tongue trembled outside the imaginable space-time continuum, and with unparalleled satisfaction I was transported to an unreal dimension where abstractness is reality, and faced with Garfield

INTO JAPANESE

エレベーターは動きで振動し、下舌のジョウェルは想像できる時空連続体の外で震え、比類のない満足感で、抽象性が現実である非現実的な次元に運ばれ、ガーフィールドに直面しました。

BACK INTO ENGLISH

The elevator vibrated with movement, and Jowell the Lower Tongue trembled outside the imaginable space-time continuum, and with unparalleled satisfaction, he was transported to an unreal dimension where abstraction was reality, and faced Garfield.

INTO JAPANESE

エレベーターは動きで振動し、下舌のジョウェルは想像できる時空連続体の外で震え、比類のない満足感で、抽象化が現実である非現実的な次元に運ばれ、ガーフィールドに直面しました。

BACK INTO ENGLISH

The elevator vibrated with movement, and Jowell the lower tongue trembled outside the imaginable space-time continuum, and with unparalleled satisfaction, was transported to an unreal dimension where abstraction was reality and faced Garfield.

INTO JAPANESE

エレベーターは動きに合わせて振動し、下舌のジョウェルは想像できる時空連続体の外で震え、比類のない満足感で、抽象化が現実であり、ガーフィールドと対峙する非現実的な次元に運ばれました。

BACK INTO ENGLISH

The elevator vibrated with movement, and Jowell the Lower Tongue trembled outside the imaginable space-time continuum, transported with unparalleled satisfaction to an unreal dimension where abstraction was real, confronting Garfield.

INTO JAPANESE

エレベーターは動きで振動し、下舌のジョウェルは想像できる時空連続体の外で震え、比類のない満足感を持って抽象化が現実の非現実的な次元に運ばれ、ガーフィールドと対峙しました。

BACK INTO ENGLISH

The elevator vibrated with movement, and Jowell the lower tongue trembled outside the imaginable space-time continuum, and with unparalleled satisfaction the abstraction was transported to the unreal dimension of reality and confronted by Garfield.

INTO JAPANESE

エレベーターは動きに合わせて振動し、下舌のジョウェルは想像できる時空連続体の外で震え、比類のない満足感で抽象化は現実の非現実的な次元に運ばれ、ガーフィールドと対峙しました。

BACK INTO ENGLISH

The elevator vibrated with movement, and Jowell on the lower tongue trembled outside the imaginable space-time continuum, and with unparalleled satisfaction the abstraction was transported to the unreal dimension of reality and confronted by Garfield.

INTO JAPANESE

エレベーターは動きに合わせて振動し、下舌のジョウェルは想像できる時空連続体の外で震え、比類のない満足感で抽象化は現実の非現実的な次元に運ばれ、ガーフィールドと対峙しました。

BACK INTO ENGLISH

The elevator vibrated with movement, and Jowell on the lower tongue trembled outside the imaginable space-time continuum, and with unparalleled satisfaction the abstraction was transported to the unreal dimension of reality and confronted by Garfield.